Whalebones is an in-development horror comic anthology that explores love, work, death, and grief in the latter half of 19th century New England.
A zine-in-progress exploring cryptids, the strange, and the paranormal.
The cover for Esme Symes-Smith’s SIR CALLIE AND THE CHAMPIONS OF HELSTON.
“When 12-year-old nonbinary Callie's ex-hero dad is summoned to the royal capitol of Helston to train a hopeless prince as an epic war looms, Callie lunges for the opportunity to become an official knight in training. Helston is full of powerful people who believe knighthood is for boys and magic is for girls, and Callie and the new friends they make will have to fight both the dangers beyond the kingdom and the bigotry from within.”
The cover for Esme Symes-Smith’s SIR CALLIE AND THE DRAGON’S ROOST, the second book in the series.
“The battle is won, but the war is far from over. In this thrilling sequel, a twelve-year-old nonbinary hopeful knight fights for the heart of their kingdom in a magical medieval world filled with dragons, shape-shifters, and witches.
Thanks to Callie and their friends, Helston seems to be changing for the better: Boys are allowed to explore their magic, and girls are permitted to train as warriors. Callie is an official Helston page, Willow in on track to become king, and Elowen and Edwyn are finally safe and free of their father. Everything is…perfect.
Except it isn’t.
Not in Helston, where every step forward is accompanied by a storm of opposition. Even Queen Ewella and Sir Nick are struggling against the wave of fear and anti-magical sentiment growing daily, while the encroaching threat from across the bridge looms.”
The cover and interior illustrations for .dungeon, a tabletop roleplaying game by John Battle inspired by MMORPGs.
My piece for Light Grey Art Lab’s “Curio” show for members of the 2018 Iceland and Norway Residencies. I drew the huldufólk, the hidden people of Icelandic folklore.
Prints are available for purchase here.
An illustration of a character of mine, Elliot, who's a dragon trapped in human form.
The cover for the spring 2016 issue of Pratt's comic anthology, Static Fish!
My piece for Light Grey Art Lab's "Arboretum" show.
The Major Oak is a massive, ancient oak tree in Sherwood Forest believed to have been a hiding place for Robin Hood and his Merry Men. It's as old as the legend itself, and has been linked to it from its earliest days.
